How a quiet inland town connected the trade routes of Southeast Asia
to the grandest domestic architecture in Southern India. From maritime commerce and private banking systems
to palatial courtyards engineered for monsoon rains, this is the story of how global vision transformed
a dry country into a cradle of culture, cuisine, and world-class institutions. This is how that happened.
Five parts · thirty-seven sections · about fifty
minutes · begun 2010, still being written
Part OneThe land and the peopleA thorny plant, four villages that were afraid of the wood between them, and
the community that decided to settle here after the sea took their city.
About Karaikudi
Around the year 1700, Karaikudi as we know it today had yet to emerge. There were four separate settlements with a
wood in the middle of them, and people did not much like to cross it. Robbers were said to shelter in the
scrub. Two and a half centuries later the same ground carries a railway junction, a national research
laboratory, a state university, an engineering college, and the memory of two banks that the Government of
India would one day think large enough to nationalise. Almost nothing about that was accidental.
Karaikudi is the largest town in the Chettinad region of Sivagangai district, in the Indian state of Tamil
Nadu. The name comes from கறை (karai), the thorny plant that
abounds in this dry country, and குடி (kudi), a
settlement — the settlement among the karai scrub. It belongs to the group of towns and villages of the
Chettinad belt, which once stretched from Ramnad district into the princely state of Pudukottai under British
India. Chettinad, or Chettinadu, means simply the country of the Chettiars. The Nagarathars, a
Chettiar community, are its predominant people, and have flourished in trade and commerce for many
centuries. They are the reason this region has an unusual density of endowed temples, colleges, financial
institutions, festivals and charitable trusts for a place its size.
Having the present-day town as the reference point, the four settlements sat roughly at the compass points.
In the northeast was Jayamkondan puram, the present-day Sekkalai. In the northwest,
Muthupattianam. In the southwest, Kallukatti. And in the southeast a hamlet called
Naganatha Pudur, still known as N. Pudur. Between them lay the woody ground, with no proper
interlinking roads, which people were hesitant to travel through for fear of the thieves hiding in it.
Karaikudi before Karaikudi. Four settlements, a tract of thorn scrub between them, and tracks
that people used reluctantly. As the settlements grew outward through the nineteenth century they met in
the middle, and the wood became the town centre. Schematic, not to scale — the relative
positions follow the traditional account rather than a survey.
Around 1900 the woody areas and the settlements around them were developing, and in due course merged to
form a notable village, which was soon brought under Panchayat board management. Major infrastructure
followed, and it followed quickly. The administration was changed to a Municipality in 1928. The
Railway Junction was created in 1930. A Government hospital — the building the town still
calls Gandhi Maligai — was established in 1940; more than half a century later its major
functions were moved and expanded to the present-day Main GH near Soorakudi, the Soorakudi GH. Roads,
drinking water, electricity and communications were laid out through the same decades. All of it transformed
a village into a well-known town.
The step that turned a well-known town into a township of consequence came in 1947, when Vallal
Alagappa Chettiar established his educational institutions here, and in 1948, when he brought the
Central Electro Chemical Research Institute to Karaikudi. A place with no particular reason to hold a
national laboratory acquired one, because a man from Kottaiyur gave the land and much of the money. That
story is told properly further down.
c. 1700Four settlements — Jayamkondan puram, Muthupattianam, Kallukatti and
Naganatha Pudur — around a wooded tract.
c. 1900The settlements merge into one village under a Panchayat board.
1928Karaikudi is constituted a Municipality.
1930Karaikudi Railway Junction is created by the South Indian Railway
Company, linking the Tiruchirappalli–Rameswaram and Mayiladuthurai–Rameswaram metre gauge
lines.
1937Indian Overseas Bank opens on 10 February, in Karaikudi, Madras and
Rangoon on the same day.
1940The Government hospital, Gandhi Maligai, is inaugurated on 26 May by
C. Rajagopalachari.
1947Alagappa Arts College opens on 11 August, four days before
Independence.
1948Jawaharlal Nehru lays the foundation stone of the Central Electro
Chemical Research Institute on 25 July.
1952–53A.C. College of Engineering and Technology begins on 21 July 1952;
C.E.C.R.I. is dedicated to the nation on 14 January 1953.
1973 · 1988 · 2013The municipality is upgraded to Grade II, then Selection Grade, then
Special Grade.
1985Alagappa University is constituted by an Act of the Tamil Nadu
legislature, grown out of the 1947 arts college.
2024–26Karaikudi becomes a Municipal Corporation; a mini TIDEL IT park opens at
Kalanivasal on 31 January 2026.
The people of the Chettinad region took a praiseworthy and active part in the Indian freedom movement, and
the town keeps the evidence: a photograph of Bharathiyar taken on his visit in 1906, the ground where Gandhi
spoke twice in 1927, and a hospital named for him in 1940.
Demography
At the 2011 Census the Karaikudi municipality proper returned a population of 106,714, with the wider
urban agglomeration at about 181,851. The town is unusual in the district for its sex ratio, which
stands at roughly a thousand females to a thousand males — parity, and slightly in favour of women,
where much of the state is not. Its literacy rate of 90.49 per cent sits well above the
national average, with male literacy at 94.71 and female at 86.29.
106,714population of the municipality at the 2011 Census; about 181,851 in the wider urban area
90.49%literate — 94.71% of men, 86.29% of women
13.75 km²municipal area, across 36 wards
1:1sex ratio, at parity and marginally favouring women
The town is Hindu-majority at about 84 per cent, with a Muslim population of roughly 11 per cent and a
Christian population of about 4 per cent — proportions that show up in the built fabric, where the
Sahayamatha church and the Kattuthalaivasal mosque stand among the temples rather than apart from them. The
municipality was constituted in 1928, upgraded to Grade II in 1973, to Selection Grade in 1988, to
Special Grade in 2013, and to a Municipal Corporation in 2024.
Karaikudi is generally reckoned the best place to live among the towns of the district, and the reasons
given are consistent: sound educational infrastructure, good ground water, better health care than the
surrounding taluks, and business that is genuinely lucrative rather than merely busy. Those four things are
the subject of most of this page.
Geography
Karaikudi taluk lies in Sivagangai district at latitude 10.07° N and longitude 78.78° E,
at an elevation of about 118 metres (387 feet) above sea level. It was once a small village in
Ramanathapuram district. The country is semi-arid: summer averages near 37 °C, winter near
22 °C, and annual rainfall of roughly 87 cm, about sixty per cent of which arrives with the
northeast monsoon rather than the southwest. That single fact — that the rain comes late in the year,
in a short window, and not much of it — explains a great deal about how this region built its houses
and managed its water.
A river called Thean aaru (the river with water like honey) flows west to southeast across the
south end of the town. The area has a good water table, owing to numerous reservoirs — the tanks and
kanmai of the old irrigation system — and to the Sambai ootthu, the Sambai spring or
artesian aquifer near Theanaaru at the south end of Karaikudi, adjacent to the Karaikudi–Devakottai
road, which supplies the municipality with drinking water.
The town sits on the Tiruchirappalli–Rameswaram road, long known here as National Highway 210, and is
about 100 kilometres from both Tiruchirappalli and Madurai, roughly equidistant between the two, and about
440 kilometres southwest of Chennai. The highway numbering changed in 2010: the Thirumayam–Karaikudi
stretch of the old NH 210 is now part of NH 536, running on to Ramanathapuram, while the
Pudukkottai–Tiruchirappalli section became NH 336. The nearest airports are Madurai and
Tiruchirappalli, each a little under 87 kilometres away. The postal code is 630001 to 630006; the STD code is
04565; and the town is abbreviated KKD or KKDI.
A small local curiosity
Karaikudi has an airstrip. The Chettinad Airport at Kandanur was built in the 1940s and has been unused
since the 1950s — a private airfield from the era when a Chettinad industrialist might reasonably own
an airline. Proposals to revive it under the regional connectivity scheme have surfaced periodically.
Nagarathar
The Nagarathar (also Nagarattar, meaning the people who live by towns; more fully the
Nattukottai Nagarathar, the people of the country forts) are the Chettiar community whose history is
the history of this region. Their tradition holds that they originated in Kaveripoompattinam —
Poompuhar, Puhar, in present-day Nagapattinam district — the great seafaring capital of the early
Chola empire, where by their own reckoning they lived for something like fourteen centuries.
The strategic position of Kaveripoompattinam, on the banks of the Kaveri at the southeast coastline of
India, made it one of the major maritime townships under the Cholas, thriving in trade that reached far
nations across the seas. The Chettiars became involved in that commerce throughout the empire, and with their
unity, discipline and acumen they prospered. Then the sea took the city. The Aazhi peralai —
the great sea flood, a tsunami — practically destroyed the pattinam, and the majority of the
community migrated to higher ground away from the shore. They settled on the demarcated land granted them by
the Pandiya king Soundarapandian, under his rule: the triangular tract, across parts of what are now
Sivagangai, Ramanathapuram and Pudukkottai districts, that became Chettinad. From there they spread over
the towns and villages of the region.
A community that has lost one city to the sea builds the next one inland, and builds it out of
limestone.
The traditional account, in a sentence
They were originally salt traders. Sometime in the eighteenth century they became more widely known as
financiers and as facilitators of trade in a range of commodities, and by the early nineteenth century
finance had become their primary specialisation. They were famed lenders to great landowning families, and
underwrote the grain trade through the provision of hundis (உண்டியல்,
undiyal) — something between a bill of exchange and a money order, written by one firm and
honoured by another, sometimes an ocean away.
How the community is organised
Two features make the Nagarathar structure unusual, and both of them are still visible on the ground.
The first is that the community's internal divisions are temples, not surnames or places. Nine
ancestral Siva temples, built in the seventh – eighth century and maintained by the community ever since, divide the
Nagarathars into nine exogamous groupings. A person belongs to the temple their family belongs to, and
marriage within the same temple grouping is not permitted — with recognised exceptions, since
Ilayathangudi and Mathur are each internally subdivided and permit unions between their own divisions. The
count of member families within each temple grouping is kept as the pulli. A social structure carried
in stone and maintained by ritual obligation turns out to be remarkably durable; it has held for something
over a thousand years. The nine temples are described in their own section below.
The second is the family firm. A Nagarathar business was not a company in the modern sense but a
household with a strongroom, an accounting system, a code of practice and a network of agents, in which
capital raised at home was deployed abroad and the books were reconciled on fixed dates each year. Young men
were sent out to the branch offices in Burma, Ceylon or Malaya on three-year terms; the women — the
ஆச்சிAachi of the house — stayed in
Chettinad and ran the household, the property and, in practice, a good deal of the domestic treasury. It is
not a coincidence that the mansions are built as they are: a Chettinad house is the physical form of a firm
whose partners were away for years at a time and whose ceremonies had to go on without them.
Historically Chettinad comprised some 96 villages. By 2010 about 74 remained, spread across
roughly 1,550 square kilometres — today around 56 villages in Sivagangai district and 20 in
Pudukkottai. The shrinkage is not a statistic about administration; it is what happened when a mercantile
community's centre of gravity moved to Madras, Colombo, Singapore and beyond, and the houses in the home
villages were locked up.
They remain a community known for philanthropy — for building temples and schools and then keeping
them, across Asia, for generations. The point is worth stating plainly, because everything in the four parts
that follow is downstream of it.
Part TwoFaith and stoneNine temples that are also a kinship system, a rock-cut Ganesha older than
almost anything else standing here, and the reason a mercantile community spent its money on
granite.
Temples
கோயில் இல்லா ஊரில் குடியிராதே.
Do not dwell in a town that has no temple.
Avvaiyar, Konrai Vendhan
True to the teaching of the saint-poetess Avvaiyar that it is unwise to dwell where there is no temple,
Karaikudi and its neighbouring places have innumerable temples and shrines, some of them world renowned. A
temple here is an epitome of heritage and culture — but it is worth being precise about what that
means, because the temple in this region was never only a place of worship.
It was also a school, a hall for public meetings, a stage for music and dance and drama, a court of
arbitration for disputes among merchants, a registry where agreements were recorded on its walls, and —
in a very real sense — a bank. Many temples hold water reservoirs and endowed lands known as
devasthanam (god's land), whose produce pays for the temple's upkeep in perpetuity. A merchant
community that made its living from credit understood exactly what it was doing when it endowed a temple: it
was building an institution designed to outlive every individual who funded it. Even today one can see all
of these functions in a working temple, in varying degrees.
Important and famous temples in Karaikudi (Taluk)
Koppudai Nayaki Amman templeThe town's principal deity, at Kallukatti; the Sri Chakra here is attributed to Adi Sankara. Its ten-day Sevvai Perum Thiruvizha closes with the chariot festival
Meenakshi Sundareswarar templeBuilt 1872 in the southwest of the town, with a fine temple tank; known locally as Nagara Sivan Kovil. Mahasivarathiri is kept here in grand style
Muthumari Amman templeTwo of them — "Periya" at Vairavapuram and the famous "Cinna" Lalitha Muthumari Amman at Meenakshipuram, whose Paalkudam draws enormous crowds
Karpagavinayagar templeKaraikudi's own Vinayagar shrine, not to be confused with the far older rock-cut temple at Pillaiyarpatti
Meenakshi Amman templeThe old Meenakshi Amman temple in the northwest, near the Cinna Muthumari Amman shrine
108 Pillayar templeA hundred and eight images of Ganesha in one shrine, adjoining the Meenakshi Sundareswarar temple — built by a single devotee in gratitude
Kollan Kaliamman templeA wayside shrine of the kind that marks the older village boundaries of the town
Natthar Karuppar templeKaruppar, the guardian deity, in the form the region knows best — often on horseback, always at the edge of things
Muneeswaran templeAnother of the guardian shrines woven into the everyday geography of the town
Sahayamatha churchThe Catholic church of Karaikudi — the town's Christian population is about four per cent
Kattuthalaivasal mosqueOne of the older mosques of the area; Karaikudi is about eleven per cent Muslim
Senjai mosqueAt Senjai, in the southwest of the town
Tamil Thai templeThe only temple in the world to the Goddess of the Tamil language, founded by Kamban Adippodi Saw. Ganesan. See Language and letters
The nine clan temples
Of everything in this section, the nine temples — the நவகோவில்nava kovil — are the most distinctive thing Chettinad has. They are ancestral Siva temples,
traditionally dated to the eighth century and maintained by the Nagarathar community ever since, and they do
something no other temples do: they organise a society.
Every Nagarathar family belongs to one of the nine. That membership is inherited, it determines where the
family's life-cycle rituals are performed, and it governs marriage — a person may not marry within
their own temple grouping. Ilayathangudi and Mathur are internally subdivided and so permit unions between
their own divisions, but the principle holds. The number of member families attached to each temple is
counted and recorded as the pulli. It is an exogamous kinship system with nine granite anchor points,
and it has kept a dispersed mercantile community legible to itself across a thousand years and several
oceans.
The nava kovil. Membership is inherited, and marriage across two of these nine
— never within one — is the rule that has held the community together. Schematic: the
ring is a diagram of relationship, not of geography; the temples are scattered across the Chettinad
country rather than arranged in a circle.
IlayathangudiInternally subdivided, and with Mathur one of the two temples where unions between internal divisions are permitted. Ananda Muneeswarar stands as guardian deity here.
MathurThe second of the subdivided temples, and the other to keep Ananda Muneeswarar as its guardian.
VairavanpattiThe Vairavan Kovil, traditionally dated to 712 CE — among the earliest of the nine.
IraniyurAlso written Eraniyur. Like the rest of the nine except Ilayathangudi and Mathur, it carries only the parivara devata, the attendant deities.
PillaiyarpattiThe one exception to the pattern: a Ganesha temple, and the oldest structure of the nine by a wide margin. It has its own section below.
SoorakudiOn the southern edge of Karaikudi — the same Soorakudi that gives the Main Government Hospital its everyday name.
IluppaikudiTraditionally dated to 714 CE, the same reckoning that places the community's worship at Pillaiyarpatti in that year.
NemamNemam Kovil, in the Chettinad country north of Karaikudi.
VelangudiTraditionally dated to 718 CE. Its Vayanachi Periyanayaki temple appears in the district list below.
Pillaiyarpatti — probably the oldest thing standing here
About twelve kilometres from Karaikudi, at Pillaiyarpatti, a six-foot Ganesha has been cut in relief out of
the living rock of a low hill. This is the Karpaga Vinayakar temple, and it is almost certainly the
oldest surviving man-made thing in the district.
The dating rests on the lettering. The image of the Pillaiyar and a Siva lingam were carved by a sculptor
who signed his work — the inscription names Ekkattur Koon Peruparanan — in a Tamil script
used somewhere between the second and fifth centuries CE, in a palaeographic stage between Tamil Brahmi
and early Vatteluttu. A seventh-century inscription on the site calls the relief Desi Vinayagar. Later
inscriptions run from the eleventh to the thirteenth centuries. The scholarly reading is a rock-cut shrine
of the early Pandya period, with the icon itself plausibly carved around the fourth century.
The iconography is unusual and is the reason specialists come. This Ganesha has two arms rather than the
customary four, holds a sweet in the right hand, and his trunk curls to the right — the
valampuri form, which is rare. The left tusk is broken, in the manner the tradition expects.
The temple is one of the nine Nagarathar clan temples and is maintained by the Nattukottai Nagarathars, who
by tradition have worshipped here since the Kali year 3813, reckoned as 714 CE. Its Vinayagar
Chaturthi festival runs ten days, with the chariot procession on the ninth; the Brahmotsavam falls in the
Tamil month of Vaikasi. The photograph at the head of this page is of Karpaga Vinayagar.
Part ThreeThe houseBurma teak, Athangudi tiles, egg white in the mortar, and a plan that is really
the diagram of a family firm whose men were overseas for years at a time.
Places
Karaikudi and its neighbouring places hold a remarkable number of historically significant buildings and
distinguished institutions. The most remarkable of them are private houses.
Chettinad mansions
The Chettinad mansions are sumptuous, spacious and flamboyant, with intricately carved structures. They were
built, in the main, between the 1850s and the 1940s — which is to say they were built with money
made in Rangoon, Colombo, Penang, Singapore and Saigon, and spent at home.
They are built from bricks (sengkal); country-made roof tiles (naattu odu), preferably from
Manamadurai for the iron content of its soil; decorative floor tiles, preferably the famed handmade
Athangudi terracotta tiles; a limestone mixture (santhu kalavai or sunnambu kalavai) for
mortar and plaster; and stone blocks, timber support structures, decorative doorframes and carved panels.
Teak from Burma is the wood of choice, brought back by the same firms whose money built the house.
Marble came from Italy, glass and mirrors from Belgium, chandeliers and ceramic ware from wherever the
agent's eye fell. The household goods run from artistically made wooden furniture to glassware, ceramics and
traditional vessels, alongside exotic articles collected from around the world. The houses came to be known
as karai veedu — the house built with limestone mixture.
These houses are built with arrangements for rainwater harvesting, to provide clean drinking water.
Rain is filtered through fine cloth and funnelled into large brass vessels, where it can be stored for weeks.
Being free of ground impurities, and stored in brass, it stays clean, healthy and sweet — a domestic
water supply that rivals modern processed drinking water, in a district where the rain falls in a short
window and the groundwater is hard. This is discussed again under health, where it
belongs as much as here.
The santhu kalavai deserves its own paragraph, because it is the reason these buildings are still
standing. It is made from finely ground limestone powder as the raw material; kadukkai (gallnut) as
accelerant; egg white for the smooth finish; and karuppatti (palm jaggery) as binder, mixed in set
proportions with the right amount of water. Padaneer, unfermented palm sap, is sometimes added as a
bonding agent. The result is a strong, crack-resistant bond with a finish so smooth it can be polished. Many
significant historical constructions still stand as testimony to its strength and longevity across
centuries.
Limestone, gallnut, egg white and palm jaggery. It is a recipe rather than a specification, and it has
outlasted a great deal of reinforced concrete.
On santhu kalavai
Inside the house
A Chettinad house is not laid out like other Tamil houses, and the difference is not decorative. It is a
long, narrow rectangle, entered at one short end from the street and running back — sometimes a hundred
metres — through a sequence of roofed blocks separated by open courtyards. Each block is a
kattu, a quadrangle. You do not walk around this house; you walk through it, and each step inward is a
step further into the family.
The sequence of a Chettinad house. The thinnai is a public room in all but name —
a raised platform either side of the entrance where a merchant received callers without letting them
further in. Past the thalai vasal, privacy increases with every quadrangle. The rows of small
rooms along the courtyards are the arai, allotted one to each married couple of the extended
family, which is how a single house could hold four generations and their ceremonies at once.
Schematic — real houses vary in the number of quadrangles, and the grandest run to
six.
தலைவாசல்thalai vasalthe great front door
திண்ணைthinnairaised entrance porch
முகப்புmugapputhe front block, the face
வளவுvalavuthe first courtyard
நடு வாசல்nadu vasalthe central open court
கட்டுkattua quadrangle of the house
அறைaraia couple's own room
சாந்து கலவைsanthu kalavaithe lime mortar
Two things follow from this plan. The first is that the house is a machine for ceremony: a Chettinad
wedding, a coming-of-age, a funeral, all have their assigned courtyard, and the building was sized for the
number of people the clan would produce rather than the number living in it on an ordinary Tuesday. The
second is that the thinnai is a business premises. A merchant who was home from Burma sat there,
received borrowers and agents there, and concluded business without anyone crossing his threshold. The
firm and the household shared an address, and the architecture kept them politely apart.
The woodwork, especially on doorframes and panels, is carved decoratively with intricate patterns. The
panel above a doorframe usually carries Gajalakshmi, the goddess of wealth, and a kalasam — a
small pot with a coconut and sprouting mango leaves on top. Themes from the Ramayana, the Mahabharata and
the Thiruvilaiyadal Puranam are carved elegantly into these panels.
Today these houses are sought after for film shoots and are a well-known tourist attraction. That is the
cheerful version. The harder version is that a great many of them are shut, that a dispersed family cannot
easily agree on the upkeep of a building none of them lives in, and that for a period the most valuable
thing about a mansion was its Burma teak pillars and its Belgian mirrors sold separately. A BBC report once
put the figure at ten thousand forgotten mansions. The counter-movement is real too: conversion into
heritage hotels, a serious conservation literature, and the nomination described at the
end of this page.
Part FourWhat the town made of itselfMoney, learning, health and politics. The four things Karaikudi is actually
known for, and the four the rest of this site is built around.
Business
The Chettiars are well known for their business acumen, and it is no wonder that Karaikudi is spoken of as
second only to Mumbai in stock brokerage — a claim made locally and often, and worth taking as a
statement about the town's temperament rather than a ranked statistic. Chettiars traditionally involved
themselves in money lending and wholesale trading, and the habits of both survive.
Karaikudi's position between two major cities — Tiruchirappalli and Madurai, each about a hundred
kilometres away — has made it a genuinely lucrative hub: education, healthcare, financial services,
small-scale industry, construction, automobile dealerships, textiles, jewellery, software, hardware,
household goods and much besides. The district's industrial base runs to chemicals, engineering, leather and
powerloom weaving; the Aavin dairy here handles fifty thousand litres a day; and the crafts of the region
— tiles, baskets, handloom — are small industries in their own right.
What makes the town interesting commercially is not any one sector. It is that a place of a hundred thousand
people supports a university, a national laboratory, a serious hospital sector, a specialised handloom trade,
a globally recognised cuisine and an unusual density of financial institutions. Very little of that is
explained by geography. Almost all of it is explained by a community that made money abroad and chose to
build here.
Money is the trade this region is best known for, and the claim is stronger than local pride: a disproportionate
share of modern Indian private banking was founded by families within a few kilometres of Karaikudi.
Long before formal banks reached Chettinad, Nagarathar family firms ran an indigenous banking system of
their own. They lent on the hundi (undiyal) and kept their accounts by the five-term
iynthogai ledger — pattru, varavu, selavu, laabam, nashtam:
debit, credit, expenditure, profit, loss — from Chettinad out to Rangoon, Colombo, Penang, Singapore
and Saigon. Crucially, the books distinguished a firm's own capital from money taken on deposit from other
Nagarathar firms, and maintained different rates for community members and outside borrowers. That
distinction is what turns a chain of moneylenders into something recognisably a banking system.
The point of the hundi was that no coin travelled. A merchant needing capital in Rangoon did not wait for
silver to be shipped and did not risk it at sea; he drew on a branch already holding funds there, against a
note settled between two firms in the ordinary course of their accounts. A darshani hundi was payable
on sight; a muddati hundi ran for a fixed term and carried its interest inside its face value.
That trade later took chartered form. Indian Bank was founded in Madras on 15 August 1907, in the
aftermath of the Arbuthnot & Co. collapse, with Nagarathar capital and Nagarathar directors behind the
Madras lawyer who led the founding. Bank of Chettinad was established in 1929 with its head office in
Rangoon. Indian Overseas Bank opened on 10 February 1937 — simultaneously in
Karaikudi, Madras and Rangoon — founded by M. Ct. M. Chidambaram Chettiar of Kanadukathan
expressly to do foreign exchange banking for Indian traders across Southeast Asia. United India Fire &
General Insurance followed in 1938, and Bank of Madura in 1943 under Karumuttu Thiagarajan Chettiar. Both
Indian Bank and Indian Overseas Bank were among the fourteen banks nationalised on 19 July 1969.
1907Indian Bank founded with Nagarathar backing
1937Indian Overseas Bank opens in Karaikudi, Madras and Rangoon on the same day
2 of 14banks nationalised in 1969 had been founded with Chettinad capital
5terms in the iynthogai ledger — debit, credit, expenditure, profit, loss
Then it ended, or most of it did. Burma nationalised foreign banks and expropriated land between 1963 and
1965, and an overseas chapter that had lasted a century closed inside two years. Families came home to
Chettinad with what they could carry. The mansions that had been built on Rangoon money were, from then on,
maintained on rather less.
The instinct did not go anywhere. It carries on in the NBFCs, gold loan firms, chit funds and Nidhi
companies of the town today, in an unusually deep local broking culture, and in a general familiarity with
credit that a visitor notices quickly. Karaikudi is a place where ordinary people discuss interest rates
accurately.
Education is the manifestation of the perfection already in man.
Swami Vivekananda
Karaikudi is eternally indebted to one man. Padma Bhushan Dr. RM. Alagappa Chettiar is called
Vallal — philanthropist — and more suitably Vallal Alagappa Chettiar. He gave away
his wealth to build an educational estate out of pure nobility, to bring affordable quality education to a
rural population; without him, Karaikudi would be a trivial town.
He was born at Kottaiyur on 6 April 1909 and died in Madras on 5 April 1957, a day short of
forty-eight. In between he ran textiles — he founded what became Alagappa Textiles in 1937 —
along with rubber plantations, tin mining, insurance, hotels and theatres, stock exchange interests and, at
one point, a private airline. He was knighted in the 1946 New Year Honours at the age of thirty-seven and
renounced the title after Independence. He was awarded the Padma Bhushan on 26 January 1956.
He founded the Alagappa Chettiar Educational Trust with the stated aim of developing the backward
area of Karaikudi into a centre for higher education, and provided the funds for the institutions to exist.
Alagappa Arts College opened on 11 August 1947 — four days before Independence. The
A.C. College of Engineering and Technology (A.C.C.E.T.) began on 21 July 1952 with three
faculties: civil, mechanical, and electrical and electronics. He founded A.C. College of Technology at
Guindy, now part of Anna University, and schools in both Karaikudi and Chennai. And in 1985, the arts
college he had started grew into Alagappa University, constituted by an Act of the Tamil Nadu
legislature.
The single most consequential thing he did, though, was to give away land. The Government of India was
deciding where to put a national electrochemical laboratory; Alagappa Chettiar offered 300 acres and
fifteen lakh rupees, and the Central Electro Chemical Research Institute came to Karaikudi.
Jawaharlal Nehru laid its foundation stone on 25 July 1948. Dr. S. Radhakrishnan, then Vice-President
of India, dedicated it to the nation on 14 January 1953. CSIR-CECRI is still India's principal
laboratory for electrochemistry, and it is in Karaikudi because of a private gift.
1947Alagappa Arts College opens on 11 August — four days before Independence
300 acresand fifteen lakh rupees given by Alagappa Chettiar to bring C.E.C.R.I. here
1952A.C.C.E.T. begins on 21 July with three engineering faculties
1985Alagappa University constituted by Act of the state legislature
He was not the only one. Raja Sir Annamalai Chettiar of Kanadukathan founded Annamalai University at
Chidambaram. Karumuttu Thiagarajan Chettiar of A. Thekkur founded Thiagarajar College of Engineering
at Madurai. O.RM.M.SP.SV. Sevugan Annamalai Chettiar founded Sree Sevugan Annamalai College at
Devakottai. Periyakaruppan Chettiar founded Ramasamy Tamil College at Karaikudi. The pattern is
consistent enough to be a cultural fact rather than a series of coincidences: a Nagarathar who made money
abroad endowed a college at home, and put someone else's name on it as often as his own.
Karaikudi and its adjoining places today have a growing array of educational services from pre-KG to
doctorate — government, aided and private schools, arts and science colleges, engineering and
polytechnic institutions, a Tamil college, a school of Vedas at Pillaiyarpatti, and the maths at Koviloor and
Kalaiyarkovil that teach in the older manner. The town's 90 per cent literacy is not an accident of
administration; it is the accumulated effect of a century of endowments.
Karaikudi is generally reckoned the best place to live among the towns of Sivagangai district, and health is
one of the reasons people give. That reputation rests on three things, in roughly this order: water, a
hospital, and a tradition of domestic medicine that never entirely went away.
Water first
In a semi-arid taluk that receives about 87 centimetres of rain a year, most of it in a short northeast
monsoon, water is a health question before it is anything else. Karaikudi has been comparatively fortunate.
The Sambai ootthu — an artesian spring near Theanaaru at the southern edge of town, on the
Devakottai road — supplies the municipality. The old network of tanks and kanmai across the
taluk recharges a water table better than the surrounding country's. And within the mansions, the households
built their own supply.
The domestic water chain of a Chettinad house. Because the roofs pitch inward to the
courtyards rather than out to the street, the whole building is a catchment. The tradition holds that
storage in brass is what keeps the water sweet for so long; the modern reading is that copper and its
alloys are mildly antimicrobial, which is a reasonable account of an old practice that plainly
worked.
Gandhi Maligai, and the hospital after it
A Government hospital was established at Karaikudi in 1940, inaugurated on 26 May by Sri
C. Rajagopalachari. The building is still known as Gandhi Maligai, and it is a landmark in the
town in the ordinary way that people give directions by. More than half a century later its major functions
were moved and expanded to the present-day Main Government Hospital near Soorakudi — the
Soorakudi GH — which is the referral hospital for a wide rural catchment. Around it the town has built
out a substantial private sector: multi-speciality hospitals, diagnostic laboratories, dialysis and eye care,
and a medical education presence that keeps qualified people in the district rather than exporting them.
For a town of a hundred thousand, that is a heavy medical infrastructure, and it is one of the concrete
reasons families from the surrounding taluks move here rather than to a larger city.
Siddha, and the pharmacy in the kitchen
The Siddha system has deep roots across this part of Tamil Nadu, and Chettinad kept it in domestic
use long after urban India had largely handed medicine to the clinic. Much of it lives in the kitchen rather
than the dispensary. The Chettinad spice cabinet is not only a flavour system: black pepper, dried ginger,
kandathippili (long pepper), fenugreek, cumin, fennel, garlic and turmeric are used at home for the
complaints they are traditionally indicated for, and the everyday preparations show it —
melagu rasam, the pepper broth given for a cold, is the obvious example, and it is medicine served as
lunch.
The preservation habits of the cuisine come from the same place. Sun-dried meats, salted and sun-dried
vegetables, dried fish and long-keeping pickles are what a semi-arid region with a short monsoon does about
food security, and they are also what a household did about nutrition through a lean season. It is worth
saying plainly that these are traditional practices with a long record of household use, and not a
substitute for medical care — but the record is long, and the region's reputation for good health has
something to do with it.
Karaikudi has been involved in politics since well before Independence, and the involvement was not
decorative. The people of the Chettinad region took an active part in the freedom movement; the list of
personalities below contains a striking number of freedom fighters and Gandhians from Devakottai alone
— Chinna Annamalai Chettiar, Dinamani Chettiar, Dr. Arunachalam Chettiar, Gandhi Narayanan Chettiar,
Nelliyan Ambalam. Mahatma Gandhi came here twice, in 1927 to speak and in 1934 to Devakottai on
the far harder business of untouchability. Thanthai Periyar gave a speech at Karaikudi that people still
quote.
Today Karaikudi assembly constituency is part of the Sivagangai Lok Sabha constituency. The region has sent
more than its share of people into national public life — most conspicuously
P. Chidambaram of Kanadukathan, lawyer, Union Finance Minister and Union Home Minister, whose career
is itself a note on what a Chettinad education was meant to produce.
Part FiveThe living cultureA school of veena playing, a tile made on a sheet of glass, a basket with a
UNESCO seal, a cuisine the world knows by name, and a festival year that still empties the offices.
Arts and crafts
The arts and crafts of the Chettinad region are a blend of tradition and modernity distinctive to this area.
Chettinad cookware, furniture, household articles, woodwork, handloom and cuisine — and the exceptional
Karaikudi veena tradition — are the marks of the region. Three of them are worth taking one at a time,
because each is a genuine speciality rather than a local variation: the veena, the tile and the basket.
The Karaikudi Veenai
There are various traditions of playing the வீணைveenai, the great stringed instrument of Carnatic music. One of them is named for this town. The
Karaikudi bani — bani meaning a school or manner of playing — is a composite style
of technique and practice held in common by one family lineage, and it is one of the few named schools of
veena playing in South India.
The best-known figures are the Karaikudi brothers, Subbarama Iyer and Sambasiva Iyer,
the seventh generation of an unbroken family tradition; Sambasiva Iyer was born in 1888 and learnt from
their father, the veena vidwan Subbiah Iyer. The brothers performed together from their teens until 1934.
Subbarama Iyer was known for an unusual practice: holding the instrument vertically, in the
urdhva posture, rather than laying it across the lap.
What the bani is known for is tanam — the rhythmic, pulse-driven elaboration that the veena
does better than any other instrument — and for a certain austerity and religiosity in the playing. The
essence was carried on by Sambasiva Iyer's two principal disciples, Ranganayaki Rajagopalan and Rajeswari
Padmanabhan, and the tradition has since been taught and documented internationally. Other veena musicians
associated with the town and its neighbourhood include Malayappa Iyer, Venkatesa Iyer, Subbaraya Iyer, and
Narayana Iyengar of Devakottai.
The Athangudi tile is the floor of the Chettinad house, and it has been made in the village of
Athangudi, a few kilometres from Karaikudi, for something like a hundred and sixty years. It is a cement tile
with flamboyant patterns, handmade, and it has a gloss that no factory tile quite reproduces. The reason for
the gloss is the most charming fact about it: the tile is cast face-down on a sheet of glass, and the
glass is what it takes its surface from.
Step oneGlass, frame, stencil
A clean sheet of glass is clamped into a metal frame that sets the size of the tile, and a stencil
carrying the chosen pattern is laid over the glass.
Step twoThe colours go in first
Slurries of white cement, finely sieved sand, water and colouring oxide are ladled by hand into the
individual compartments of the stencil — one colour at a time, the pattern built before the tile
exists. Grey cement and sand at roughly one to three are then packed in behind as the body.
Step threeSun, and only sun
The frame comes off, the tile is left on its glass, and it cures — in the shade first, then four
or five days in the sun, with a batch taking around ten days end to end. It is then lifted off the
glass, levelled and sent out. No fuel is burnt at any stage of the process.
Why it matters now
An unfired, sun-cured, handmade floor tile with a near-zero process carbon footprint turns out to be
exactly what a contemporary architect wants. Athangudi tiles left the region as a heritage curiosity and
came back as a specification, and the village works to orders from well outside Tamil Nadu.
Kottan — the palmyra basket
The கோட்டான்kottan is a
basket woven from the tender leaf of the palmyra palm, and it is the one Chettinad craft that was made by the
women of the house rather than by artisans for them. Palmyra leaf was the writing material of the region
before paper; the same leaf, cut into strips and dyed, becomes a box, a tray, a lidded container. Every
Chettinad ritual has a kottan in it somewhere — sweets carried to a wedding, betel and nut offered to
a guest, the small gifts exchanged at a naming ceremony.
It survived the way few leisure crafts do. Kottan work received the UNESCO Seal of Excellence in
2004, and Chettinad Kottan has been registered as a Geographical Indication in the handicrafts
class, filed in 2010 and granted in the years following. The revival turned an accomplishment of affluent
Nagarathar women into paid work for artisans across the villages, which is a better outcome than most
heritage-craft stories manage.
Food
India is known worldwide for its spiced cooking, and within Tamil Nadu the Chettinad style is the one
that travelled. A unique blend of spices, ingredients and methods handed down through generations, it stands
apart from other South Indian cooking — and it is one of the very few regional Indian cuisines whose
name appears on restaurant menus on other continents.
The Chettinad kitchen is called ஆச்சி சமையல்Aachi samayal — the Aachi's cooking, named for the mistress of the house. By tradition it uses a
particular firewood for a particular dish, on the reasoning that the smoke is an ingredient and the wrong
smoke spoils the food. That is the sort of rule that sounds like folklore until you have eaten in a kitchen
that follows it.
The signature is the masala, ground fresh rather than kept: star anise, kalpasi (the stone
flower lichen, which is the note most people cannot place), fennel, black pepper, cumin, fenugreek, cinnamon,
cloves, bay, dried chilli and tamarind. Nothing in that list is unique on its own; the proportions and the
insistence on grinding to order are.
The other half of the cuisine is preservation, and it comes straight out of the climate. This is a
semi-arid country with a short monsoon, so the kitchen learned to sun-dry meat, salt and dry
vegetables, and keep dried and fermented fish and prawn — techniques reinforced by a century of trade
with Burma, Ceylon and Malaya, which is also where some of the rice preparations and pickles came from.
Chettinad cooking is a record of the Indian Ocean, written in food.
There are wide varieties for vegetarians and non-vegetarians alike. Among the vegetarian dishes:
paal paniyaram, puttu, idiyappam, ilandhosai, kara kuzhambu (the hot spicy
curry), kuruma kulambu (with coconut paste), mor kulambu (the buttermilk curry),
vendakai mandi (the ladyfinger sour curry) and
melagu rasam, the pepper broth. Among the non-vegetarian: kari kuzhambu (mutton),
kozhi kuzhambu (chicken), karuvattu kuzhambu (dried fish), muttai kuzhambu (egg), and
biryani. Then the snacks and sweets, which are a category of their own: murukku, adhirasam,
maa urundai, seepu cheedai, thean kuzhal, karuppatti paniyaram,
paal kozhukattai, cheeyam, manakolam, kavuni arisi and a good deal more.
பால் பணியாரம்paal paniyaramrice dumplings in sweet milk
இடியாப்பம்idiyappamsteamed rice string hoppers
மிளகு ரசம்melagu rasampepper broth — and the household cold remedy
கார குழம்புkara kuzhambuthe hot tamarind curry
மோர் குழம்புmor kulambuthe buttermilk curry — the cooling answer to the other one
முறுக்குmurukkuthe coiled savoury snack
அதிரசம்adhirasamjaggery and rice-flour sweet
சீயம்seeyama stuffed festival sweet
கறுப்பட்டிkaruppattipalm jaggery — sweetener and mortar binder alike
Chettinad supports a number of handlooms following a weaving tradition some two hundred years old, brought
here and patronised by the Nagarathar Chettiars. The hand-woven
கண்டாங்கிKandangi selai
— the Kandangi cotton or silk saree — and the Gopura karai selai, with its temple-tower
motif border, are the best known.
The Kandangi is unmistakable: broad checks and wide contrast borders in strong, unfashionably confident
colours, woven in coarse counts that make it a working garment rather than an occasion one. It received a
Geographical Indication on 30 August 2019, on an application filed in May 2013 by the Amarar
Rajeev Gandhi Handloom Weavers Cooperative society of Karaikudi — six years between filing and grant,
which tells you something about how these protections are won. The registration runs to 2033.
Karaikudi has a claim in Tamil (Thamizh) letters that no other town is known to share, and it is a strange and rather
lovely one: it is home to a temple dedicated to Tamil itself, personified as
தமிழ் தாய், "Mother Tamil"
— widely described as the only such temple in the world.
The Tamil Thai Kovil was built by Saw. Ganesan, who called himself — and is known as
— Kamban Adippodi, the dust at Kamban's feet. He founded the Kamban Aranilayam (the Kamban
Trust) and the Kamban Kazhagam (Kamban Society) of Karaikudi, was the key figure in establishing the Kamban
Manimandapam (Kamban Memorial Hall), and was the first person to organise the Kamban Thirunal (Kamban Festival).
The temple also holds images of the poetess Avvaiyar and of Kamban himself. A statue in tribute to Saw. Ganesan
was installed at the Kamban Manimandapam premises on 4 May 2009.
The literary presence does not stop there. Kaviarasar Kannadasan, born at Sirukudalpatti, is among
the most quoted Tamil poets of the twentieth century and wrote several thousand film lyrics without ever
quite becoming only a lyricist; his Manimandapam stands in the town. Tamilvanan of Karaikudi founded
the Manimekalai press. S.A.P. Annamalai founded and edited Kumudam, for decades one of the
largest-circulation Tamil weeklies in India. Vanathi Thirunavukkarasu Chettiar of Devakottai founded
the Vanathi Pathippagam. Suba. Annamalai and Balakavi Vynagaram Ramanathan Chettiar were
scholars of standing. And Chinna Annamalai Chettiar of Devakottai was a pioneer of the publishing
industry as well as a freedom fighter.
Put together, that is a publishing and literary culture, not a set of individuals — which is what
makes an annual book fair in a town this size a normal event rather than an ambitious one.
It is said that, after creating this world for six days, God took a day off.
Festivals and holidays are an important aspect of life. They rejuvenate a person to perform their duties
better, and they give us the occasion to gather and extend compassion to fellow beings. Being followers of
tradition, the people of Chettinad celebrate many festivals with splendour and vigour — and in this
town the word is not ornamental. Two of these festivals close roads, fill trains and bring people back from
Chennai and Singapore for the week.
Some of the important festivals celebrated in Karaikudi:
Koppudai Nayaki Amman kovil Thear Thiruvizha
Koppudai Nayaki Amman — Koppudaiya Nayaki Amman, the goddess with the golden heart — is the main
deity of Karaikudi. This is a mid-sized temple whose moolavar is a beautiful ayinponn statue,
an alloy of five metals, of the Amman standing in her sanctum. A magnificent Hanuman is a recent addition. A
temple tank adjoins the left side. It stands in the Kallukatti area of the town — one of the four
original settlements.
Acharya Sri Adi Sankara is held to have worshipped mother Koppudai Nayaki here and to have installed the
Sri Chakra.
Sevvai Perum Thiruvizha, the grand Tuesday festival, runs for ten consecutive days from the last
Tuesday of the Tamil month of Chithirai — between April and May — into the first week of Vaikasi.
It begins with kodi yetram, the hoisting of the flag. There is a theppa thiruvizha, the float
festival on the tank; poocheridal, the flower offering; and it concludes with the grand
thear thiruvizha, the chariot festival. The car is drawn around the temple and up to the Kattamman
temple — Kattamman being the elder sister of Koppudaiyal — at Senjai in the southwest of the
town, and returns the following day.
One characteristic sets this temple apart from almost every other. Here the moolavar itself, the
presiding deity, is brought out of the sanctum for special oblations and celebrations, rather than the
urchava murthi, the processional image that ordinarily stands in for it. The only comparable case is
the Nataraja of Chidambaram.
Chithirai 1, the Tamil New Year, usually 14 April, is celebrated here with grandeur, drawing large numbers
from the surrounding villages. The temple is several centuries old and was renovated to its present state
about a decade and a half ago. The guardian deity Karuppanna Swami appears majestically on horseback.
Muthumari Amman is the goddess who blesses people with rain like pearl drops. There are two temples of the
name: the elder, "Periya" Muthumari Amman at Vairavapuram in the northeast of Karaikudi, and the
famous "Cinna" Muthumari Amman at Meenakshipuram in the northwest, near the old Meenakshi Amman
temple. It is the smaller of the two that draws the ever-growing crowds, for Paalkudam, the grand
finale of a ten-day festival that opens with kappu kattu, the tying of the sacred thread. It is also
called the Masi Panguni Vizha, held across those two Tamil months in March.
The story. Half a century ago a little girl named Lalitha came to this place from Samayapuram,
suffering from smallpox. At first nobody noticed her. An elderly Muslim man saw her condition and began
caring for her. One day she asked him for a tomato; he said it was not the season and there were none. She
insisted he would find one near his well. He went, reluctantly, and to his astonishment found a single
tomato, which he brought back and gave her. From that day whatever she said came true. People began to
notice her, and her foretelling, and came from many places for her blessing. She asked them to build a
temple in her remembrance, where she would dwell and bless them, and then she attained her salvation. The
temple takes its name from the smallpox that lay like pearls — muthu — on the divine
child.
The season opens in the Tamil month of Masi, on its last Tuesday in the final week of February, with
Poochorithal Vizha, the floral festival. Sumangali Poojai follows a week later. Then the festival
proper begins with Ganapathy Poojai and the hoisting of the flag, and it ends in grandeur in Panguni, around
the middle of March.
From the first day people take processions from the Muthalamman temple — paalkudam (the pot of
milk for ritual libation), theechatti (the fire pot), kavadi (the decorated arch carried on the
shoulder), alagu (body piercing), pookuzhi (walking the bed of fire), molaippari (pots
of tender grain shoots) — and other feats performed as nethi kadan (the fulfilling of a vow),
nandri kadan (thanksgiving) and venduthal (a prayer of request). In recent years this
thiruvizha has grown to large proportions and become a stellar event of the region.
Mahasivarathiri is the great night for offering devotion to the supreme Lord Siva, the destroyer of evil.
Sivarathiri, the auspicious night in his honour, is observed every month on the day before the new moon; the
one falling in the Tamil month of Masi, in February, is kept as Maha Sivarathiri.
On that day special ritual oblations, libations and processions are conducted. Through the night people
stay awake, observing, praying, reading and singing the praise of Lord Siva, and special rituals continue in
Siva temples until dawn. The devout fast the whole day as one way of proving their devotion. Maha
Sivarathiri concludes the following morning with ritual oblation, after which people break their fast.
The festival is celebrated in grandeur at the Sri Meenakshi Sundareswarar temple in the southwest of
Karaikudi. This mid-sized temple was built in 1872 and has a fine tank on its right side. It is also
known as the Nagara Sivan Kovil; a later Siva temple at Sekkalai is known as the
Sekkalai Sivan Kovil.
Adjoining it on the right is the shrine holding a hundred and eight images of Ganesha — the
108 Pillayar temple — built by a single devotee in gratitude.
Kamban Thirunal
Kamban Thirunal is a festival of the classical Tamil language held in honour of Kavichakravarthy Kamban,
the emperor among poets, who composed the Tamil Ramayana. It runs for four days at the Kamban Manimandapam in
Karaikudi every March. Scholars and admirers of Tamil exchange views on Kamban, and the works of Kamban and
other great poets are taken up for debate.
It exists because of one man. Saw. Ganesan — Kamban Adippodi — founded the Kamban
Aranilayam and the Kamban Kazhagam of Karaikudi, was central to the building of the Kamban Manimandapam, and
built the only temple in the world to the goddess of Tamil. He organised the first Kamban Thirunal. His
statue was installed at the Manimandapam on 4 May 2009. Kamban's own mausoleum is at Nattarasankottai,
nearby.
Thaipoosam is the principal festival of Lord Murugan, celebrated on the day of the Poosam star in the Tamil
month of Thai, in January or February. It draws enormous numbers of devotees from Tamil Nadu and beyond to
the pilgrimage town of Palani in Dindigul district. Its central act is the walk: people go on foot all the
way to the Dandayudhapani Swami temple atop Sivagiri, the Palani hill, starting from their own homes.
The people of Chettinad are staunch devotees of Palani Andavar. They begin their Palani
Pathayathirai — the pilgrimage on foot — with their kavadis on their shoulders, a couple of
weeks before Thaipoosam, setting out from Devakottai, Karaikudi and the surrounding towns and villages. The
Nagarathar kavadi is a distinct tradition in its own right.
Karaikudi being an education capital, an impressive week-long book exhibition —
puthaga kankatchi — is held at the Kamban Manimandapam every February. Wide arrays of books on
many subjects are shown, and in the evenings cultural performances are given by students, a different school
each day. Beyond this annual exhibition, individual booksellers and publishers hold their own fairs through
the year. Given the publishing houses the region has produced, described under
Language and letters, this is less a civic initiative than an industry showing
its wares at home.
The Central Electro Chemical Research Institute observes National Science Day on 28 February as an
Open Day. People are admitted freely to stalls demonstrating the achievements, technology and future of
science, and CSIR-CECRI's own contributions are showcased. On some occasions the open day is held in
September instead.
It is worth pausing on what this actually is: a national laboratory, in a town of a hundred thousand,
opening its doors once a year so that local schoolchildren can walk through a working electrochemistry
institute. That is the return, seventy-odd years later, on three hundred acres given away in 1948.
Chettinad has produced a great many people who contributed significantly to the good of humanity, and the
list below runs to fifty-six of them. Eight are set out first at slightly greater length — not because
they matter more, but because between them they explain most of what the rest of this page describes: the
colleges, the banks, the cinema, the music and the poetry.
Kottaiyur · 1909–1957
Vallal RM. Alagappa Chettiar
Philanthropist, academician and business tycoon, and the single most consequential person in this
town's history. Textiles, rubber, tin, insurance, hotels, theatres, broking and briefly an airline paid
for a college in 1947, an engineering college in 1952, schools in two cities, and the three hundred
acres and fifteen lakh rupees that brought C.E.C.R.I. to Karaikudi. Knighted in 1946 at thirty-seven and
renounced the title after Independence; awarded the Padma Bhushan on 26 January 1956; dead a day before
his forty-eighth birthday. Alagappa University, constituted in 1985, grew out of the arts college he
opened four days before Independence.
Poet, novelist, lyricist, politician, film producer and editor — and the writer whose lines a
very large number of Tamil speakers can still complete unprompted. He wrote for the cinema in enormous
quantity without letting the cinema define him, and his prose on faith and doubt is read independently
of the songs. His Manimandapam stands in Karaikudi.
Industrialist, banker and philanthropist, founder of Annamalai University at Chidambaram —
one of India's earliest residential universities — and a director of Indian Bank from 1915. The
Chettinad Palace at Kanadukathan is his. He is the clearest single case of the regional pattern: money
made in the Indian Ocean trade converted, deliberately and permanently, into an institution with
somebody else's name on the gate.
Industrialist and banker, and the man who took the family firm's hundi business and gave it a charter.
He founded Indian Overseas Bank on 10 February 1937 expressly to specialise in foreign exchange
banking for Indian traders across Southeast Asia, and opened it in Karaikudi, Madras and Rangoon on the
same day. IOB was nationalised in 1969 and still carries the overseas mission its Chettinad founder gave
it. He also founded the United India insurance business.
Producer, director, and founder of AVM Productions — the oldest surviving studio in Indian
cinema, and for decades the industrial centre of Tamil film-making. He began in gramophone records and
moved into pictures, which is a very Chettinad way of arriving at an industry. Karaikudi also produced
the directors S. P. Muthuraman and Rama Narayanan, and the lyricist, screenwriter and producer Panchu
Arunachalam.
Mridangam maestro, and among the most influential percussionists in modern Carnatic music — a
player who took the accompanying instrument and made a solo language out of it, and whose ensemble work
carried Tamil percussion into concert halls worldwide. The prefix is the town's; that convention, of
carrying one's birthplace as part of one's name, is why Karaikudi appears on so many concert
programmes.
The Carnatic maestro who standardised the modern concert. The running order that nearly every Carnatic
recital still follows — the sequence and proportion of items across a two-and-a-half-hour concert
— is substantially his design. Alongside him this small region produced Kunnakudi Vaidyanathan on
the violin, Kandadevi S. Alagiriswamy, and the Karaikudi veena lineage described above.
Religious leader and Tamil scholar, head of the Kundrakudi Adheenam, and a figure who used a
traditional monastic office for distinctly untraditional ends — temple entry, social reform,
agricultural and rural development work, and the promotion of Tamil in worship. The Koviloor Aadheenam
and the Vedanta Math at Kalaiyarkovil belong to the same regional tradition of teaching institutions.
In 1906, Mahakavi Subramaniya Bharathiyar visited Karaikudi and sang a poem praising the good work
done by the Chettiar youths of the town. A photograph of Bharathiyar taken on his visit to the Hindu
Madhabhimana Sangam here survives, and is an invaluable reminder of it.
In 1927, Mahatma Gandhi visited Karaikudi and delivered two speeches, on 24 and 25 September.
In 1934, Mahatma Gandhi visited Devakottai to condole the death of Poochi, a Dalit, in the
movement against untouchability, and held discussions with Dalits and with the Nattars, who were opposed to
Dalits wearing shirts.
In 1940, Sri Chakravarti Rajagopalachari inaugurated Gandhi Maligai on 26 May, at Karaikudi.
In 1948, Pandit Jawaharlal Nehru, Prime Minister of India, laid the foundation stone of C.E.C.R.I.
on 25 July, at Karaikudi.
In 1953, Dr. Sarvepalli Radhakrishnan, Vice-President of India, dedicated C.E.C.R.I. to the nation
on 14 January, at Karaikudi.
In 1953, Dr. Rajendra Prasad, President of India, laid the foundation stone of A.C.C.E.T.'s main
building on 19 February, at Karaikudi.
Thanthai Periyar, Erode Venkata Ramasamy (E.V.R.), gave a still-famous speech at Karaikudi.
[undated]
In 1973, Shrimathi Indira Gandhi, Prime Minister of India, presided over the silver jubilee
celebrations of the Alagappa institutions and C.E.C.R.I. on 24 September, and later spoke at the Kamban
Manimandapam.
Read that list again and notice what it is a list of. Between 1940 and 1973, a Governor-General, a
Prime Minister, a President and a Vice-President of India each came to a small town in Sivagangai district,
and in every case but one they came to open a building that educated somebody. That is the town's actual
claim on the national record.
Karaikudi today
It would be easy to end a heritage page in the past tense. That would be a pity here, because the
interesting question about Karaikudi is not what it was but what it is converting its inheritance into.
The heritage itself has become an asset class. In 2014 the Government of Tamil Nadu submitted
Chettinad, Village Clusters of the Tamil Merchants to UNESCO for India's World Heritage Tentative
List — three clusters comprising eleven villages of houses built between the 1850s and the 1940s,
nominated for their grid planning, their water systems, and an architecture that records a genuine
interchange of world cultures inside a vibrant Tamil tradition. Whatever becomes of the nomination, it
changed how the region is discussed. Mansions that were liabilities are now heritage hotels; the film
industry rents them steadily; and conservation work on lime plaster and Athangudi tile has become a
specialism with its own practitioners.
The crafts came back as products. Kandangi has a Geographical Indication and a market well outside
Tamil Nadu. Chettinad Kottan carries a UNESCO Seal of Excellence and a GI of its own. Athangudi tiles, which
are unfired and sun-cured, turned out to suit the sustainability requirements of contemporary architecture
better than almost anything made in a kiln. In each case the thing that saved the craft was certification
plus an outside market — not nostalgia.
The cuisine is the region's most successful export. Chettinad is one of very few Indian regional
cuisines whose name functions as a brand on menus across the world, and the town's cooks, caterers and
restaurants trade on that recognition daily.
The education corridor still runs. Alagappa University, A.C.C.E.T., CSIR-CECRI, a dense school
network and a large private coaching and college ecosystem keep a town of this size supplied with students,
faculty and the service economy that follows them.
And there is new industry. Karaikudi became a Municipal Corporation in 2024. On 31 January
2026 a mini TIDEL Neo IT park was inaugurated at Kalanivasal — five acres, 50,000 square
feet of built space, about ₹28 crore, and room for around six hundred IT professionals — part of
the state's push to move technology work into tier-two and tier-three towns. It is a small facility by
Chennai standards. It is also the first time in a long while that a new kind of work has been deliberately
brought to Karaikudi from outside, and the last time that happened, in 1948, it was a research institute and
it changed the town.
2014Chettinad placed on India's UNESCO World Heritage Tentative List — 11 villages in 3 clusters
2019Kandangi granted its Geographical Indication, on an application filed in 2013
2024Karaikudi upgraded from Special Grade Municipality to Municipal Corporation
2026TIDEL Neo opens at Kalanivasal on 31 January — capacity for around 600 IT professionals
Conclusion
Start again at the beginning of this page and the shape of the thing is clear enough. A community lost a
port city to the sea and settled inland on granted land. It learned to move money without moving money, and
for a century it financed the rice, teak and trade of half the Indian Ocean from eighty-odd villages in a
dry corner of Tamil Nadu. It spent the proceeds on three things, in roughly equal measure: temples, houses,
and schools.
The overseas trade is gone; Burma ended it in the 1960s. The houses are half empty. But the temples are
still endowed and still full, the colleges are still teaching, the laboratory Nehru laid the stone for is
still doing electrochemistry, the bank that opened its first counter here is still a national bank, the
weavers still weave the Kandangi, the tile-makers still pour cement onto glass in the sun, and the cuisine
got out and conquered.
Thanks to the Chettiars' acumen and their adherence to time-honoured practice, and to the efforts of people
of every other community who live here, Karaikudi has become a thriving hub for education, finance and much
else. That is the standing claim of this town, and it is also the reason this site exists. The heritage on
this page is not a museum exhibit. It is the working capital of a place still very much in business.
A town that turned trade into temples, temples into schools, and schools into everything
afterwards.
Karaikudi, in one line
If you know this town and something here is wrong, thin or
missing — a date, a name, a festival that deserves its own section — the page has been revised
three times since 2010 and will be revised again. Corrections are welcome by
email.